HABESHA chick steals COUNT from one of the House Wives of New york

Thats the <--- couple


The internet is abuzz with the news that an Ethiopian beauty has wrecked a royal marriage in Europe.

Countess LuAnn de Lesseps and her husband, Count Alexandre de Lesseps, seperated via email informing his wife of 16 years that he is intimately involved with an Ethiopian woman in Geneva.

According to New York Social Diary: Alex, the Count de Lesseps has, it is said on the streets of Geneva, taken up with a beautiful Ethiopian beauty who is not only quite a bit younger than he is, but also quite a bit younger than his wife.

The Count - whose great-great-great grandfather, Ferdinand de Lesseps, built the Suez Canal and started the Panama Canal, later presenting, for France, the Statue of Liberty to America -

(Damnnnn... homie's grand dad built the panama Canal and presented US with the Statute of Liberty... yo he was go-gettin... no he great grand son, Count of France is now leaving his wife for a HABESHA CHICK)


Thats the habesha chick below


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The mysterious Ethiopian woman identified as the cause for the divorce between the reality star LuAnn from The Real Houswives of New York and her husband Count Alexandre de Lesseps has been identified as Princess Kemeria Abajobir Abajifar. She is the granddaughter of King Abajifar, the last King from the Gibe Kingdom of Jimmaa, located in current day Ethiopia. An inside source close to the Count, wishing to remain anonymous, confirmed the details in an email correspondence.

The Ethiopian princess, and granddaughter of the King, is the niece of Ababiya Abajobir, another prominent man in the Oromo-Ethiopian community. He was one of the founding members of the OLF (Oromo Liberation Front), a guerrilla organization representing the majority Oromo ethnic group of Ethiopia, and served in various positions in the organization throughout its 35 year history.
The source told EthioPlanet that it was the wish of both the Princess and Count Alexandre de Lesseps that she no longer be identified as “‘the Ethiopian woman’ but with her real identity.”

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